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Recording Diary - String Theory Sessions Tuesday, April 26, 2005 - Colorado Sound is a very popular studio and they get booked up well in advance. It has now been a month since our last session, so we have spent the time working on the parts that will be recorded next. We took the rough mixes from the previous sessions and dumped them onto our digital recorder at home. Then we recorded solos to hear how they will work with the rhythm tracks. This also helps us be more prepared when we go in for a session so we can get our parts recorded in as few takes as possible. You don't want to be learning your part while you're paying for studio time!
Noon - We began today working on "Jungle Spirits". Josie wanted to re-record the violin for the first half of the song. After getting the take we liked we went back and listened to it. Studio microphones are very sensitive. They will pick up the sound of a bow being placed on a violin string, or a pick on a guitar string, in preparation of playing a note. These sounds are usually soft enough that the human ear hardly registers them, and most of the time our performances are clean enough that they aren't picked up by the mic, but we listen closely for them. Steve is incredible at hearing noises like these, even while listening to all the tracks at once he'll stop playback because he hears an anomoly. The neat thing about ProTools is that you can see the waveforms of everything that is recorded on the computer screen. If there is something you don't like you can see where it is and remove it.
Tom was next. First he recorded his part on the breaks (with no breath sounds!) and then it was on to his solo. He doesn't get to take many solos when we perform live. His playing style, which involves holding down the groove and the harmony, as well as his use of alternate tunings, doesn't allow him to play a guitar solo live very often. Being in the recording studio gives him a chance to spread his wings a little. We like to recreate what we do in the studio at our live performances as much as possible, but at the same time we want to take advantage of the ability to do some things in the studio that we don't get to do live. It would be easy to go crazy and add too much, however, so we have to be careful. After recording the guitar solo, Tom added a harmony to the violin melody at the end of the song. He spent a lot of time at home writing a guitar part that he was happy with. This involved recording several ideas on our home recording studio after transferring the material we already recorded.
We'll be back in two days for another session.
Photos by Tom Carleno and Josie Quick
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or call 303-377-1739 or e-mail us at tom-josie@perpetual-motion.net. |
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